Top 250 Singles of 2011

1. King - The Story

Some of the imagery here is of a galactic nature, with references to the mothership, stars and such. Not uncommon at all in pop music, but very fitting since every listen to "The Story" feels like a journey beyond space, possibly on an astral plane. There's a magic going on here that's hard to explain, but something about paving your own path and following your own heart spoke loudly to the dreamer in me, in the sort of way that my favorite songs of all-time do. We sometimes have a tendency to sneer at anything that's purposefully positive in this world. Perhaps it's out of jealousy or maybe because we simply don't like being told how to feel. Whatever it is, I implore any cynics to not let that get in the way of enjoying this song. There is too much warmth in those keyboards and too much love in the harmonies to feel anything but empowered when your heart is fully opened to this track. In the seven years I've been doing these lists, never have I been this sure of what my #1 single would be.

Best Albums of 2011

These are my favorite albums of 2011. This year, I'm trying something different by bringing Spotify into the mix. I've created a playlist with a song from most of the albums here. Check back next week for my list of the best singles of the year.



1. Raphael Saadiq - Stone Rollin'

On his 2008 album, The Way I See It, Saadiq copped a retro sound that recalled some of the softer, romantic touches of Motown. As enjoyable as that album was, it often felt like a tribute instead of a creative exercise. For the follow-up, the sound is still of the past and just as accurate, but more soulful, freewheeling and raucous. By convincingly conjuring up the spirit of Stax and the eclectic side of Sly and The Family Stone, Stone Rollin' would have been pleasing to the ears of most by default as well. Instead, Saadiq completely reinvigorated the whole process of being retro by using the era not to justify the means, but as a catalyst for exploring just how vibrant his songwriting could be. The authenticity is part of the charm, but the joy lies mostly in listening to one of R&B's most intelligent and classiest artists at the top of his game.

Year-End Stuff and Best of 2011 Lists

It's about that time for best of lists. Next week I'll be doing albums and the week after that is singles. In the meantime, you can check out my 2010 lists for albums and singles. My movie list usually shows up sometime around February, so here is last year's too.

Are The Grammys Now Relevant?: My Reaction to the 2012 Nominations

The nominations for the 54th Grammys were announced tonight and there was no shortage of surprises (click here for full list). The precedent for past Grammys has been thrown into disarray and this could be the sign of a new era for the ceremony.

First, let's look at the obvious. Song of the Year nominations were conceivable for Mumford & Sons and Bon Iver, but for both of them to take slots in Record of the Year speaks loudly as to how the NARAS are trying to shake things up. Usually when there are surprises like this, it comes from the result of a weak year, but there were several other viable contenders that fit into the previous mold of commercial and critical acclaim (think "Super Bass," "Pumped Up Kicks," "All The Lights"). In spite of that, the NARAS seemingly went straight for critical acclaim in a category that rewards big records. It looks as if Arcade Fire's win for Album of the Year was no fluke and the blue ribbon panel is willing to overlook sales in favor of merit. "The Cave" was a much more feasible choice because of its success at radio, but "Holocene" did not gather much attention outside of the indie press and its inclusion here is colossal.

In another cred seeking move, the Best New Artist category this year has two hip hop artists (J. Cole and Nicki Minaj), which is a first and a "dubstep" artist (I have nothing against Skrillex, but I'd rather not disrespect the genre by identifying his music as such). The Skrillex nomination is most interesting because he is at the head of a movement that has a very devoted fanbase but hasn't really broken through mainstream America. Once again, this is not typical behavior of the Grammys. They've apparently been paying attention to what's current and have adjusted accordingly.

2012 Grammy Nomination Predictions

Nominations for the 54th Grammy Awards will be announced during their annual concert on Nov. 30. In what has also been a tradition for me, I like to predict who will get nominated.

Album of the Year

I'm not sure that I've seen anything as close to a sure thing for AOTY over such a long period of time, but Adele's 21 has been leading the charge since the beginning of the year with astoundingly consistent sales numbers from week to week. The album has been at or near the #1 spot on the Billboard 200 and the fact that her music is accessible and inoffensive pretty much makes her a lock. It also doesn't hurt that she's a previous Best New Artist winner as well. Things couldn't be set up any better.

I don't have any other definite locks, but I feel very confident in a few other favorites. One of them being Kanye West's My Beautiful Dark Twisted Fantasy. It may not have had the hit singles that his previous albums did, but it had universal glowing reviews in the same stratosphere as Speakerboxxx/The Love Below and OK Computer, both previous nominees in this category. The fact that it wasn't the commercial juggernaut that his other AOTY entries were might be overlooked for the chance to reward what many consider a masterpiece by one of today's most important artists. One outlandish scenario where I don't see it getting nominated is if his collaboration with Jay-Z, Watch The Throne, cancel both albums out and leaves room for Lupe Fiasco's Lasers to slide in. Lupe just happens to be a performer at the nomination concert and although he had a successful year, I don't think too many people saw him as a frontrunner for any of the general fields. It's definitely something to keep an eye out for since most performers who are asked to be at the nomination concert end up getting a nod in a big category.

Ten on Tuesdays: Reasons Why I'll Never Lose Faith In Eddie Murphy

It's not easy being an Eddie Murphy fan these days. If you looked at his resume for just the past ten years, you would find a body of work that's mostly disappointing and not fitting for one of Hollywood's greatest talents. What's been so frustrating about Murphy is that he seems to be drawn to scripts that only a bank account could love. Despite his crap radar needing a tune-up, Murphy could still succeed even at this stage in his career given the right vehicle. Based on the reviews, his recent role in Tower Heist appeals more to his adult audience, which will hopefully be a direction that he continues in given that's what made him a superstar in the first place. There was the possibility that he could have reminded the world just how talented he was on a grander stage if he had stayed on as host of the Oscars, but a reminder shouldn't even be necessary given his obvious talent. That's simply what years of bad movies will do to a career. Throughout his many downs, I kept holding out hope that the next project would be the one to get him back on track. Needless to say, there has not been much encouragement for a long time, but here are ten reasons why I'll never give up on the man.

Little Jackie - "Time of Your Life" & "Cryin' For The Queen"

After only being available digitally since the summer, Little Jackie's second album, Made4TV, was finally released on CD a few weeks ago. It's encouraging because I think that a physical release causes a bit more hype and I firmly believe that the duo of Imani Coppola and Adam Pallin should already have a few songs on the Hot 100 under their belt by now. Made4TV picks up where The Stoop left off—which by the way, was one of my favorite albums from last decade—and continues to perfect their approach of marrying sunny hip hop beats with Motown-esque melodies. One of the highlights, "Time of Your Life," is a colorful track about taking a chance on love that feels youthful, but not wide-eyed. Coppola has always played the role of streetwise girl pretty well, so whenever she applies that same wit to a song that allows her heart to open up, she creates something that feels like its overjoyed with love without coming off as sappy.

Time Of Your Life (click here to download)



During the summer of 2008, The Stoop was my daily soundtrack. It was bright pop music filled with an attitude and its short running time made it easy to squeeze into my listening schedule. I still go back to it very often, especially now with the release of Little Jackie's latest album. One of the easiest ways to tell if I love an album is how often my favorite song changes. Sometimes it's "Black Barbie." For a while it was "The World Should Revolve Around Me." On many days, and as of right now, it has been "Cryin' For The Queen." Right out the gate, the song is gleefully profane and confident as Coppola chops down an entitled diva (I interpreted it as Amy Winehouse). It's a stretch to call this song hardcore, but from a pop perspective everything is blistering from the horns to Coppola's delivery.

Cryin' For The Queen (click here to download)



To download Made4TV from Little Jackie's Bandcamp website, click here and to buy The Stoop from Amazon, click here.

My Summer in Pictures 2011 (or Life is Complete Now that I Finally Saw Sade)

Loretta Lynn/Taste of Chicago/Jul. 1, 2011



Chosen Few Picnic with pictures of Frankie Knuckles and LisaRaye/Jackson Park/Jul. 9, 2011

Ten on Tuesdays: Best Musical Numbers by Disney Villains

After watching The Lion King in 3-D this weekend, I was suddenly in a Disney state of mind. For better or worse, the studio has provided family entertainment for several generations and shaped many a childhood. Despite any gripes I might have with some of the racism and sexism they've included in their films over the years, I can't deny that they've always enlisted the best storytellers and songwriters. Traditionally in an animated Disney musical, songs of triumph, joy and love are usually the most beloved, but while watching Scar sing "Be Prepared," I started thinking of all the great songs from Disney that promoted evil and were as equally worthy of admiration as their morally superior counterparts. This edition of Ten On Tuesdays will count down what I feel are the best musical numbers by Disney villains.

A look back at MTV's Video of the Year

I've long given up hope that MTV will retain musical relevancy ever again. For a little over two decades, the cable network dictated trends while also breaking in new acts with graceful ease. Its dedication to showing music videos also pushed the medium forward, with its artistic heyday being in the 1990s when creative, visually distinct directors like Spike Jonze, Michel Gondry, Stéphane Sednaoui, Hype Williams, Anton Corbijin and Mark Romanek, among many others, made regular contributions, therefore upping the ante for any artist trying to get their video into regular rotation. Since MTV has long abandoned showing music videos during regular viewing hours, you would almost think that their annual award show, the Video Music Awards, would no longer need to exist. There is a bit of humor to be found in the fact that a network that hardly airs music would pretend to care for one night while keeping up the facade that they follow everything throughout the year.

While the VMAs have never been mistaken as harbingers of quality, I do place a bit of value into the main award: Video of the Year. Having come up in the 90s, music videos became one of my first loves and Video of the Year is probably the highest honor one can receive in that field. The Grammys have made some solid nominations over the years for their Best Short-Form Music Video category, but hardly any attention is paid to it and MTV has a longer history of identifying the most striking and relevant videos in the art form.

Despite barely dedicating time to music programming and with the majority of videos being watched online, I feel the Video of the Year award still manages to hold prestige by coming up with at least one surprise nomination a year. It shows that they care just a little bit, at least for me. I understand that MTV is in the business of making money and attracting viewers, so they have no choice but to include popular, albeit inferior videos into this category at times. This is also a different era than the 80s and 90s when the music industry thrived and more money was able to be thrown at budgets for videos, which meant more good videos in general.

With me still being a music video fan, I'm usually eager to see what happens with Video of the Year. Over the course of the VMAs' history, MTV has at times proven that it can acknowledge quality, but the VOTY could have more prestige if the network had decided to be consistently more daring. Here is a look back at all the previous nominees and winners in that category and what was overlooked in that respective year. Keep in mind when discussing what should have been nominated, I narrowed it down to videos that could have conceivably landed in the biggest category of the night, meaning that it had to have been a sizable hit with MTV rotation. Also, it should be noted that viewers have been able to vote in this category since 2006, which has taken away from the surprise factor, meaning we may never seen an upset like "Nothing Compares 2 U" or "Virtual Insanity" ever again.


1984

The Cars — "You Might Think"

* Herbie Hancock — "Rockit"
* Michael Jackson — "Thriller"
* Cyndi Lauper — "Girls Just Want to Have Fun"
* The Police — "Every Breath You Take"

What should have won: While the campy humor of "You Might Think" still holds up very well, "Thriller" was an unprecedented accomplishment at the time and has not lost its luster.
What should have been nominated: Talking Heads — "Burning Down the House"; Queen - "I Want To Break Free"; Twisted Sister - "We're Not Gonna Take It"


1985

Don Henley — "The Boys of Summer"

* Tom Petty and the Heartbreakers — "Don't Come Around Here No More"
* David Lee Roth — "California Girls"
* David Lee Roth — "Just a Gigolo/I Ain't Got Nobody"
* USA for Africa — "We Are the World"

What should have won: The set design for "Don't Come Around Here No More" trumps the lush cinematography of "The Boys of Summer" for me.
What should have been nominated: Art of Noise — "Close (To the Edit)"; 'Til Tuesday - "Voices Carry"; Madonna - "Material Girl"; Frankie Goes to Hollywood — "Two Tribes"; Bronski Beat - "Smalltown Boy"


1986

Dire Straits — "Money for Nothing"

* a-ha — "Take on Me"
* Godley & Creme — "Cry"
* Robert Palmer — "Addicted to Love"
* Talking Heads — "Road to Nowhere"

What should have won: A good deal of me wants to say "Take On Me," mostly for the mirror shot where the camera rotates around and reveals both the animated and live-action world, but overall, "Cry" is the most distinct. "Road To Nowhere" would have been a good choice as well seeing as how Talking Heads were miles ahead of everyone when it came to making videos around this time.
What should have been nominated: Kate Bush — "Running Up That Hill"; Talking Heads — "And She Was" ; Prince and The Revolution — "Raspberry Beret"; INXS — "What You Need"; Kate Bush - "Hounds Of Love"; ZZ Top — "Rough Boy"

Adventures at Lollapalooza 2011

Day 1 - Friday

Ryan Leslie



Although there weren't as many big name hip hop acts as there were in years past (which was an admittedly small list to begin with), it was refreshing to have a mainstream R&B singer at the festival. Ryan Leslie had an easygoing confidence about him that did not make it hard to be drawn into his show, but I felt it was lacking a certain punch, which could probably be remedied by adding more pieces to the band, which for this day was just a guitarist and a DJ. Still, Leslie is a talented songwriter and it would have been apparent to anyone passing by that he had an ear for beats and melodies.

Tab The Band



I think I enjoyed their stage banter the most out of all the bands over the weekend ("This song was on Major League Baseball 2K11. It's on the screen where you choose baseball players to do shit. Like play baseball, I guess.") Overall, they were fun and played some good time rock n' roll that provided a good jumpstart to Lollapalooza.

Mixed Reaction: my other blog

So I've started a new blog where I take a look back at all the mixtapes I've made for myself, starting back in 1996. It's called Mixed Reaction and I post new entries every Tuesday. Check it out because it will be a long journey.

http://mixedreaction.blogspot.com

Betty Black - "Spring Blossoms"/Kudu - "Let's Finish" & "Physical World"

Kudu's 2006 Death Of The Party is an album that remains in constant rotation for me and is often played on those weekend nights when I'm getting ready to go out to a party or dancing. With some booze and company, it could almost be a fitting substitute for a night out if you decided to stay in, as it's already a practical journey through NYC's underground with electronic nods to ESG and Blondie thrown in. Even though the album has nicely filled a niche in my life, like most artists that I enjoy I'm usually left clamoring for new material. It now appears that 2011 will see my wishes come true as they are slated to release a follow-up album under their new moniker Art World Killer, but not before vocalist Sylvia Gordon churns out a trilogy of EPs as her alter ego, Betty Black.

Part of what makes Kudu/Art World Killer so unique is the diversity of Gordon, who seems to be one of the few contemporary female vocalists that uses Siouxsie Sioux as a reference point. On "Spring Blossoms," which will be on the upcoming Slow Dance, Gordon continues to retain the Goth stylings that influenced her youth to an enchanting and subdued use. The sound of Betty Black is centered around 50's girl groups and meant to evoke David Lynch films, according to Gordon, and that description is pretty spot-on. The relative sparseness of songs such as The Shirelles' "Will You Still Love Me Tomorrow" and The Ronettes' "You, Baby," along with countless others from that era, have their blueprint all over this track, but with an added tinge of darkness.

"Spring Blossoms"


To listen to more songs from Betty Black, head on over to her Bandcamp website. Slow Dance will be released through iTunes on June 28.